Archives for posts with tag: Giambattista Valli

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In a world that is ever changing and uncertain… there is one thing that we can look to for comfort: beauty. And Paris delivered on this topic by way of last week’s Couture offerings. Dior was lovely (as usual) with its dipping in and out of centuries, while blending in modernity. Yet it was Elie Saab, Giambattista Valli, Ulyana Sergeenko and Valentino who drew in this curious mind. Below are a few of the highlights and of course all collections can be found at style.com.

Elie Saab
Dark decadence characterized Elie Saab’s chandelier lit world in hues of blues, pinks and blushes. Then came a sequence in black white and gray. In case you missed the memo, pearls are making a triumphant return as the “Queen of Gems” and Saab pays great homage to this noble affair through Tahitian treasures of all colors. At times, this beauty appeared be a burden to wear, with so much lavish embellishment.

Giambattista Valli
Eccentric glamour in the Gardens of Alhambra was at the heart of Giambattista Valli’s frenzy of frocks. It was a paradise of pajama pinstripes, reimagined pleats, feathered tulle, and ethereal floral loveliness. Recovering from a Champagne infused night was never so appealing.

Ulyana Sergeenko
There may have been an undercurrent of the upheaval in the Ukraine and reflections on the fall of the Russian Zsars in Ulyana Sergeenko’s collection, but there was a strong dynamism of sensual femininity meets fiery resolve. The most striking looks were those with shimmering fabrics that appeared wet and metallic, which were in stunning contrast to those soft mohair and lady-like silk offerings that were not always demure.

Valentino
Classic goddess splendor appropriately summarizes the incredibly alluring collection from Valentino. More specifically, it was inspired by the 19th century Pre-Raphaelite take on the Roman toga with flowing draperies, decadent embroideries, opulent pearls, and leather ribbon. There was a heavenly liberation at play that was absolutely romantic, while inviting temptation with sheers waiting to be undone.

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Giambattista Valli, Saint Laurent Paris, YSL, Hedi Slimane, Paris Fashion Week, Spring 2013 RTW

This curation is one of opposites. A collection offering something innocent and fresh with something that is far less so: Giambattista Valli and Saint Laurent Paris. Mr. Valli crafted a series feminine looks with sheer organza, delicate floral details and crystal beading that would make Flora swoon. He also created some severely tailored offerings that counter these ladylike ones, but the most memorable pieces are the sheer dresses or skirts over panties – particularly those with a dropped hem made of non-sheer fabrics. At Saint Laurent the mood shifted to something hard and slightly subversive. The presentation was a paired down, urban goth collection that was quite stunning, despite Hedi Slimane’s overly done antics. At times the hats seemed an unfortunate accessory that transformed otherwise glamourous, flowing dresses into something a bohemian sorceress might wear. It is a shame the garments have nearly been over trumped by so much drama and this curious mind wonders what will become of the YSL legacy…

Vogue Italia, March 2012 Couture Supplement, Christian Dior, Paolo Roversi, Vogue Italia, Valentino, Givenchy, Giambattista Valli, Chanel, Marie Piovesan, Jean Paul Gaultier, Atelier Versace, Armani Privé, Aspinal of London, A Lady In Spring

No one plays with shadow and light like Paolo Roersi. His crafty blend of scullduggery stirs the beautiful and the curious with haunting elegance for Vogue Italia’s March 2012 Couture Supplement titled “A Lady In Spring”. Shadowed by birds, insects and a variety of other flora, Marie Piovesan is cloaked in an array of spring 2012 couture collections: Valentino, Givenchy, Giambattista Valli, Chanel, Christian Dior, and Armani Privé to name a few. And it has rarely been more glamorous to be “masked” in eyewear, which makes the mystery all the more decadent.